Wayfarers Series 4 Books Collection Set by Becky Chambers (The Long Way to a Small, Angry Planet, A Closed and Common Orbit, Record of a Spaceborn Few & To Be Taught, If Fortunate)

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Wayfarers Series 4 Books Collection Set by Becky Chambers (The Long Way to a Small, Angry Planet, A Closed and Common Orbit, Record of a Spaceborn Few & To Be Taught, If Fortunate)

Wayfarers Series 4 Books Collection Set by Becky Chambers (The Long Way to a Small, Angry Planet, A Closed and Common Orbit, Record of a Spaceborn Few & To Be Taught, If Fortunate)

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The author seems to be trying to emulate the Joss Whedon and associates style of breezy television writing (Firefly, Buffy, Shield etc) which also depicts groups of friends having adventures but what imitators forget is that Whedon created conflict between his characters, he threw massive obstacles in their path, he made them hate each other sometimes, he *scarred* them, he often killed them and so the lessons that they learnt about acceptance and loyalty and diversity and courage etc genuinely resonated with the viewer because they were hard won. This by contrast is tepid, innocuous, and faintly patronising, perfect for a 21st century audience that wants to feel cozy and be spoon fed all the answers. Moreover, there were some nods to the other books and a strong bond with the first that had me laugh in delight (including a serious "d’aw"-moment). :D I did have some fun with it but around 60% of this book amount of sweetness and cheeseness become overwhelming. Character driven sci-fi should have proper characters and character development, not Care bears in alien costumes.This book is just too naive, everyone is so nice, polite, warm and excepting and bad characters are just stereotypicaly bad .There is no room for drama and character growth.

Everyone isn’t white and straight. Tired of sci-fi and fantasy settings like that? Here, have a setting where most humans are people of color and where non-straight relationships really aren’t a big deal. There are so many combinations of fresh ideas that come to mind while reminiscing about the brilliance of this novel and how many uses there may be found in future social Sci-Fi novels. I haven´t read much social Sci-Fi for the simple reason that´s it´s even more underrated than conventional Sci-Fi and that there aren´t enough meta rating scores to make sure that it are good reads and not average or strange and even bad ones. Sorry, I am not altruistic enough to risk reading something bad to find pearls, shall others risk their lifetime. Tropes show how literature is conceived and which mixture of elements makes works and genres unique:

I have been tended. I have been taken care of. I have been loved. I have been nourished. I have been nurtured. I have been cocooned. I have been blessed. Lovely and heartwarming, but I must be a heartless soulless cynic. Since for me this ended up being an equivalent of literary overload on cotton candy - pleasant but unsatisfying, and leading to sweetness-induced tooth decay. (Hmmm, is that why this book is a bit toothless?) The future of social Sci-Fi, the evolution of emotion in space, a completely different, fresh, and astonishing approach towards the common Sci-Fi tropes, an immediate, instant modern masterpiece, possibly even a kind of new subgenre changing the landscape of Sci-Fi like Octavia E Butler.

This book captures the simultaneous close-encounter-with and detachment-from the here-now that we experience during a crisis really well, while also incorporating several other themes like a refugee crisis, speciesism, ableism, war, social taboos, motherhood, the unbridgeable gap between us and the other and the extra kindness that our interactions therefore demand. And relief of all reliefs: there isn't a single heteronormative, white, human male character here. Actually, there isn't any sort of human character if you don't count mere mentions. Most of the scenes included in the narrative seemed to try hard to be cute or sweet or heartwarming but I found them unbearably cheesy. And on the topic of cheese, that whole discussion about how weird cheese is was so necessary, the same goes for that discussion on shoes (they are like clothes for feet, ahah, so funny). Given that they have all interacted with or have knowledge of other species it seemed weird that they would go on about cheese and shoes as if these are flabbergasting concepts.Chambers shows, by transporting the endless variety of emotional, personal topics into a character is story setting, that there is an unexplored land of imagining social and emotional life into the future, especially regarding completely different cultural conditioning, norms, rules, epigenetic traits, letting aliens species with completely different attitudes collide, quarrel, love, interbreed, to construct a resource of an amount of stories as potentially endless as space.

But it really has to be one of the two, do it right, or don't do it. Adding explicit science and technology, but doing so in a way that is plainly illogical, is a painful distraction that confirms sexist stereotypes on female SciFi writers. This is my third SpaceTime Reading Challenge book. I really must do more reading! To Be Taught, If Fortunate Chambers’ other work is equally revered by critics and fans alike. She’s become one of the genre’s staples, releasing quality work at a steady clip. I rely on Chambers’ books for a healthy dose of uplifting and hopeful sci-fi each year. Should her success continue to grow (and I think it will), Hollywood might just take notice and pounce at the opportunity to adapt Chambers’ remarkable work. For now, happily, we have the books, and if you haven’t read them…now is the time. Earth, the battered Human homeworld] Their world isn’t dead, not completely. It’s being repaired, little by little. They can visit, if they want to. There are some who live there still. And their planet wasn’t taken from outside. They killed it from within. They chewed their own hearts out. No, I don’t think we’re the same at all.’ The Long Way to a Small, Angry Planet, the first book in the series, details the adventures of the crew of the ship Wayfarer. As the title suggests, it is much more about the journey than the destination. In a way, not a lot happens, but all the characters are changed by their interactions with one another.It’s anti-prejudice. It’s relaxing to read authors who actually like people. I read a lot, but it’s not often that I see a character think “wow, she’s weird - wait, that was a bit prejudiced of me.” It’s not just that, though. The world itself seems much less sexist, racist, homophobic and transphobic than today’s world. It’s a very relaxing world to get to inhabit for a while. The truth is, Rosemary, that you are capable of anything. Good or bad. You always have been, and you always will be. Given the right push, you, too, could do horrible things. That darkness exists within all of us.” The story follows Pei, an Aeluon, Speaker, an Akarak, and Roveg, a Quelin. They all end up grounded at the Five-Hop One-Stop which is run by Ouloo, a Laru. They have all lead distinctive lives and they also necessitate differentiating things given that they belong to a different species. Oxygen, for example, would be lethal to Speaker. At first, they view the others as mere aliens but the more time they spend together—picnics and get-togethers—the more they begin to see the others as individuals in their own right. There is some conflict due to Akarak not being considered a sapient species and therefore they are not part of the GC. They were colonized by another species and are now regarded with distrust. Pei is fighting for the Aeluons against the Rosk (whom, if I record correctly, they had previously colonized).

I mention all this to assure you that Wayfarers is indeed worth the read, from beginning to end. If I can’t convince you, maybe Chambers’ multiple Hugo Awards can. I also say it to soften the blow, here, when I admit that an adaptation of the series seems highly unlikely (at least at the moment). I think there is a valuable place for SciFi that focusses on how society develops under different conditions, on relationships with alien minds. I understand that not everyone can be good at physics or technology. I value, very very much, the skills the author has got. The diversity. The balanced viewpoints. The coping strategies and acts of kindness. There's some cool, if familiar stuff here - The Long Way... is set in a Mass Effect-like society of aliens where humanity is very much a bit player. The Bioware similarities also extend to a human-AI relationship, where the human suffers from a physical condition (Dwarfism), much like Joker and EDI in the Mass Effect games. The worldbuilding is good, and Chamber’s characters are very diverse, if not very interesting. You are capable of anything. Good or bad. You always have been, and you always will be. Given the right push, you, too, could do horrible things. That darkness exists within all of us.’This book is a sequel to ‘The Long Way to a Small, Angry Planet’. However, it was written as a standalone novel and can be read as such. Instead, Chambers fleshes out her characters as people first, species second. We learn about the denizens of any number of planets or systems. The humans of Chambers’ sci-fi world ground us in the new while the narratives teach us about ourselves and others by offering glimpses of life outside of human experience. Lovelace was once merely a ship's artificial intelligence. When she wakes up in a new body, following a total system shut-down and reboot, she has to start over, in a world where her kind are illegal. She's never felt so alone. But she's not alone, not really. Pepper, one of the engineers who risked life and limb to reinstall Lovelace, is determined to help her adjust to her new world. Because Pepper knows a thing or two about starting over. Alexander, Niall (27 April 2016). "Announcing the 2016 Arthur C. Clarke Award Shortlist". Tor.com. Archived from the original on 3 February 2022 . Retrieved 12 July 2022.



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